Tagged: FJJMA

Pages

Assignment: Radio
10:58 am
Wed April 17, 2013

"What About Indian Art?" An Interview With Mary Jo Watson

Credit Brant Morrell
Mary Jo Watson, director of the School of Art and Art History and curator of Native American Art at the FJJMA.

Twenty years ago, a degree in Native American Art and Art History was non-existent. Even today, only a few universities offer Native Art programs, but at the University of Oklahoma Mary Jo Watson is responsible for launching a groundbreaking art program with an emphasis on the indigenous perspective.

Read more
Assignment: Radio
10:40 am
Thu March 21, 2013

Stepping "Into the Void"

Credit Fred Jones Jr. Museum of Art
"Into the Void" at the Fred Jones Jr. Museum of Art.

This student-curated art exhibition Into the Void is going to blow your mind. 

That’s what it’s designed to do.

Optical art evolved out of the Abstract and Expressionist tradition, and de-emphasized subject matter, focusing instead on what artists could achieve purely through color and form. For the counter-culture of the 60s, Op-art became a symbol of rejection of authoritative or artistic control.

Read more
Assignment: Radio
10:52 am
Wed March 20, 2013

"Cinema For the Ears" Dr. K's Sculptural Sounds.

Credit Cailey Dougherty
Dr. Konstantinos Karathanasis, performing at the Tuesday Noon Concert Series at the Fred Jones Jr. Museum of Art.

It’s Tuesday afternoon at the Sandy Bell Gallery of the Fred Jones Jr. Museum of Art. The natural light showering the galleries above barely makes it down the stairwell to the space where Dr. Konstantinos Karathanasis, Assistant Professor of Composition and Music Technology, is performing. 

This intimate concert is part of the Tuesday Noon Concert series, a weekly 30-minute musical showcase at the museum.

Read more
Assignment: Radio
12:15 pm
Mon March 18, 2013

Historical Controversy of "Advancing American Art" Revisited

Yasuo Kuniyoshi, President Truman and "Circus Girl Resting”

The U.S. Department of State assembled a collection of modernist paintings in 1946, to show the world America’s artistic coming of age and to illustrate the freedom of expression enjoyed by contemporary American artists. "Advancing American Art" became a lightning rod of controversy, described by some as subversive and un-American. 

Read more

Pages