Vince Pearson

The Morning Edition Song Project, in which musicians compose an original song about the COVID-19 era, returns this week with singer-songwriter Sarah Jarosz, Americana artist and one-third of the band I'm with Her.

AC/DC's latest album, Power Up, was released Friday. It's a tribute to the band's late co-founder, Malcolm Young. But it's also a big comeback.

On its last tour, only a few years ago, things weren't looking good for the group. Malcolm was too ill to perform. Singer Brian Johnson was losing his hearing and had to leave the tour midway through. And bassist Cliff Williams retired afterward. Some thought AC/DC was over — but not Malcolm's brother, guitarist Angus Young.

Chris Stapleton may be offbeat for Nashville — big beard, old style, more personal lyrics — but he's still the kind of songwriter who can churn out an album in a couple of weeks. Before he blew up as a solo artist five years ago, he was already writing hits for artists like Kenny Chesney and Luke Bryan. It was the 2015 CMA awards, where he performed a medley with Justin Timberlake, that took his career to another level.

The Morning Edition Song Project, in which musicians compose an original song about the COVID-19 era, returns this week with multi-genre singer-songwriter Thao Nguyen, leader of the band Thao & the Get Down Stay Down. Early this September, the San Francisco-based musician stepped onto her porch to find polluted air and falling ash — the fallout of the wildfires raging on the West Coast.

The Morning Edition Song Project, in which musicians compose an original song about the COVID-19 era, returns this week with folk singer-songwriter and multi-instrumentalist Rhiannon Giddens.

Giddens is American, but has spent the pandemic at her home in Limerick, Ireland. When we spoke to her on Monday, Ireland was just a few days into a new six-week lockdown to address the country's growing infection rate. The restrictions are among the toughest in Europe.

For the Morning Edition Song Project, we've asked musicians to capture life in the era of COVID-19 by writing an original song that describes this turbulent moment. When we contacted Colin Meloy of The Decemberists, he had an idea ready to go. He says "Slint, Spiderland" was something he had been jotting down as a sort of musical journal entry.

For the Morning Edition Song Project, we've asked musicians to capture life in the era of COVID-19 by writing an original song that describes this turbulent moment. For our next entry, Nashville-based soul singer Devon Gilfillian examines how the pandemic created space for a national dialogue on race with his new song, "Cracks in the Ceiling," which he wrote after a difficult conversation with a close friend.

The pandemic, a bad economy, police killings and a fight for racial equality: It's a lot of take in. For some, music has been a way to cope and try to make sense of it all and that is the premise behind the Morning Edition Song Project, in which we asked musicians to write and perform an original song about this moment.

Andrew Watt is one of pop music's hottest hired guns. The 29-year-old has written and produced for megastars including Post Malone, Cardi B, Justin Bieber and Selena Gomez. His calling card is blending of-the-moment pop with a rock aesthetic. Last month, shortly after recovering from COVID-19, he played guitar while Miley Cyrus covered Pink Floyd's "Wish You Were Here" on Saturday Night Live.

"Entirely Different Stars," from Lukas Nelson's newest album, Naked Garden, is a song many people might relate to right about now. It's a fantasy about grabbing that special someone and blasting off to a less troubled planet.

For more than 30 years, Harry Connick Jr. has been putting out music that evokes the legacy of Frank Sinatra and other jazz icons. Now, he's back with a new album, True Love: A Celebration of Cole Porter, and an accompanying Broadway show. NPR's David Greene visited the singer in Hollywood's Capitol Studios, where Connick demonstrated a few Cole Porter classics on the piano and talked about the musician's enduring influence.

It's easy to imagine that Ringo Starr's closet is full of shoe boxes containing old mementos, like the photographs that populate Another Day In The Life, his newest book. The reality is a bit different though.

"If I'm in them, I just lift them off the internet," he says. "Others are what I do on tour when I'm hanging out."

Neil Young has easily one of the most recognizable names in American music, and his familiar voice isn't getting quieter with time. He has played with a lot of people over the years: There was Buffalo Springfield and Crosby, Stills, Nash & Young. But Crazy Horse has outlasted all of them.

Historians and critics have pored over the recordings of these jazz greats like Miles Davis, John Coltrane and Stan Getz so exhaustively, it might feel like they've left no stone unturned. And yet, fans are seeing a slew of exciting new discoveries lately from these and other artists — so-called "lost" albums by some of the biggest names in jazz.

Sixty years ago, this month, Miles Davis finished recording Kind of Blue, perhaps his greatest masterpiece and still jazz's bestselling album. But it was not the only milestone recorded that year.

From 1991 to 1994, Nirvana was one of the biggest bands in the world with a look and sound that would come to define the decade's music. At the height of this fame, though, bandleader Kurt Cobain sometimes seemed to be an unwilling participant who had just been swept up and carried away by Nirvana's success. Then, after less than four years of meteoric fame, Cobain died of suicide on April 5, 1994. He was 27.

This story is part of American Anthem, a yearlong series on songs that rouse, unite, celebrate and call to action. Find more at NPR.org/Anthem.

Ever since he was a kid, Ketch Secor was obsessed with old-time country music. In fact, he made a career of it by leading the string band Old Crow Medicine Show. Appalachia, the birthplace of the band, has served as a wellspring of knowledge for Secor, and even inspired the musician to write a new children's book, Lorraine.

"That's where this story comes from," Secor says. "This is an Appalachian folktale, with a couple of personal twists."

Tuesday, Oct. 2, marks the one-year anniversary of Tom Petty's death. Members of the prolific musician's family and longtime band have spent much of the past year listening to his early and unreleased recordings. Wanting to mark the occasion, Dana Petty, wife of the late musician, and Benmont Tench, Petty's longtime keyboardist, started combing through the rock star's vault.