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NPR's Michel Martin speaks with Sara Colangelo, director of the new Netflix film Worth, which tells the story of the 9/11 Victim Compensation Fund.

Democrats have renewed calls for Supreme Court reform in the wake of the Texas abortion decision. NPR's Michel Martin speaks to law professor Stephen Feldman.

A look at the possible awards contenders and blockbusters that Hollywood has in store for autumn.

The Taliban say they've taken control of the last holdout of anti-Taliban forces in Afghanistan. Twenty years after the 9/11 attacks, the view from Pakistan. It's Labor Day, but many are jobless.

ECMO, the highest level of mechanical life support, functions as a temporary heart and lungs for some of COVID-19's sickest patients. But the waitlist is too long for many patients who need it.

Arizona has become the first state to get rid of peremptory strikes in jury selection. Peremptory strikes have drawn criticism for their use by some attorneys to exclude people of color from juries.

Power is expected to be restored in more parts of Louisiana this week, but residents throughout the state are still struggling in the aftermath of Hurricane Ida, especially those along the coast.

NPR's Michel Martin speaks with economist Howard Kunreuther, co-director of the Wharton Risk Management and Decision Process Center, about climate change's impact on the insurance industry.

For the past two weeks, thousands of Afghans have arrived in the U.S. Many passed through an enormous makeshift processing center in Virginia. We get an exclusive look inside the Dulles Expo Center.

While the story of the Warsaw Ghetto uprising is well-documented, pockets of Jewish resistance surfaced in smaller ghettos across Nazi-occupied central-eastern Europe too. Zhetel is one such place.

At least four planes chartered to evacuate several hundred people seeking to escape the Taliban's takeover of Afghanistan have been unable to leave the country for days, officials said Sunday.

Born in Pittsburgh in 1859, Henry Ossawa Tanner moved to Paris, where he found "nobody knows or cares what was the complexion of my forebears." Recent conservation work explores his artistic process.