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Jacky Rowland reports from Belgrade that Yugoslav opposition leaders have launched a civil disobedience campaign to persuade President Slobodan Milosevic to recognize Sunday's election victory of Vojislav Kostunica and to cede power. Thousands of Serbs demonstrated again today in downtown Belgrade, and crowds were out in provincial cities, as well. She says although state-run television is showing pictures of Milosevic, still in charge, government officials are not answering phones, and it seems they do not know how to handle the situation. And, though top officers in the army and police are loyal to Milosevic, army soldiers, as well as rank and file policemen, do not support the regime.

NPR's Jennifer Ludden reports on a second straight day of violence at Jerusalem's holiest site, where at least four Palestinian protestors were killed and dozens more wounded in clashes with Israeli riot police.

Susanne Sprague of member station KERA reports on the opening of the Women's Museum in Dallas, Texas. In addition to achievements, the exhibits tell about tragedy as well. The museum will feature a computer lab that will help young girls learn about possible careers. The museum is the largest of its kind in the nation. (6:13) Credits

Rock Historian Ed Ward introduces us to jug band music, popular in the 1920s and 30s.

Film Critic Henry Sheehan reviews The Dancer in the Dark, the new film directed and written by Lars von Trier.

Veteran broadcaster Robert Trout recalls when the tide of the Battle of Britain turned. The aerial bombardment of London by Germany during World War Two -- known as the Blitz -- was thought to be a prelude to Nazi invasion. After the war, it was learned that on this date Adolf Hitler decided to abandon plans to take over England. Trout narrates a story about anchoring CBS Radio Network News during this period. We hear his colleague in London, Edward R. Murrow reporting on the air raids, Trout's own broadcasts, and the voice of Winston Churchill after the war. Trout tells how the addition of an evening newscast in radio prime time angered advertisers.

NPR's Susan Stamberg remembers her colleague, Mike Waters, who died yesterday at age 69. He hosted this program from 1971 to 1974, part of that time as co-host with Stamberg. Waters had a rich, deep voice. It was said "he had a cathedral in his head." We hear some his work -- include a skit in which a sunrise is "directed" by Waters as an archangel.

Whit Stillman is the writer, director and producer of the film The Last Days of Disco which portrayed the disco scene in New York in late 1970's to the early 1980's. Stillman also wrote and directed the films Metropolitan and Barcelona. His new book is a novel which follows the action of his disco film, The Last Days of Disco with Cocktails at Petrossian Afterwards (Farrar, Straus & Giroux). (REBROADCAST from 6

Three more world swimming records fell Sunday in Sydney, bringing to eight the number of records set in just the first two days of competition. NPR's Howard Berkes looks at why these Olympic games are producing faster and faster times in the water.

There is still no news on the fate of 19 hostages held by a Muslim rebel group on the Philippine island of Jolo. Philippine president Joseph Estrada launched a military attack on the island two days ago. Clay Chandler of the Washington Post speaks to host Jacki Lyden from Manila about the surprise military move.

NPR's Margot Adler reports that some psychologists are also starting to worry about the degree to which children are exposed to violence in tv ads for movies. They staged a protest last week outside of an advertising industry's awards ceremony. But the industry says many of their awards go towards public service announcements that encourage children not to engage in destructive behaviors such as smoking.

Reporter Alex van Oss reports on a theater production in Arlington, Virginia that shines the spotlight on one of Dostoyevsky's lesser known qualities, his sense of humor. The play is called Someone Else's Wife and the Husband Under the Bed and is brought to life under the guidance of Russian director Yuri Kordonsky.