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Director Barry Jenkins is best known for films like Moonlight and If Beale Street Could Talk. On NPR's Wild Card, he opens up about where he felt the safest as a kid.

Hillary Clinton leaned into her identity when she ran for president. Vice President Kamala Harris is decidedly not.

As cable TV struggles to compete with streaming services, those streaming services are beginning to resemble cable TV -- at least in terms of ads. Decisions from Comcast and Disney illustrate this.

The U.K. parliament votes on the future path for Brexit Tuesday — whether to open the door to a delay, or press the European Union to compromise.

Most — but not all — political scientists are deeply troubled by the president's attempts to expand executive power, according to a national survey.

Nicholas Winton arranged safe passage from Czechoslovakia for more than 600 Jewish children on the eve of World War II. Winton died last year at 106. A memorial is being held Thursday in London.

NPR's Scott Simon speaks to Ray Mendoza about the film, "Warfare," which he wrote and directed with Alex Garland. The film is based on Mendoza's experiences as a US Navy SEAL fighting in Iraq.

In cineplexes this weekend, Dwayne Johnson plays UFC fighter Mark Kerr, while Taylor Swift debuts a new music video. A new documentary pairs real-world footage with George Orwell's prescient words.

The Sing Sing maximum security prison in New York held its first-ever film festival recently, with incarcerated men invited to judge the five entries.

NPR's David Greene talks to the Lawson brothers, Ortierre, Terai and DJD, all friends of the late George Floyd. They also want people to understand what it's like to be a black man in America.

NPR's Lulu Garcia-Navarro speaks with Vanessa Kirby and Ellen Burstyn about their new film, Pieces of a Woman, about a home birth gone terribly wrong and the destruction that follows.

Something's different about the arrival of the latest African pop stars on the international scene. They are finding success as a wave without compromising or catering to the American music industry.