Allison Herrera
Allison Herrera is a radio and print journalist who's worked for PRX's The World, Colorado Public Radio as the climate and environment editor and as a freelance reporter for High Country News’ Indigenous Affairs desk.
While at The World, she covered gender and equity for a reporting project called “Across Women’s Lives,” which focused on women’s rights around the globe. This project took her to Ukraine, where Herrera showcased the country’s global surrogacy industry, and reported on families who were desperate to escape the ongoing civil war that they moved to abandoned towns near the Chernobyl nuclear disaster site. In 2019, she received a fellowship from the International Women in Media Fund to report on the issue of reproductive rights in Argentina, a country scarred by the effects of the Dirty War and a legacy of sexual and physical abuse directed towards women.
In 2015 and 2016, Herrera co-created and produced the Localore project “Invisible Nations” with KOSU. The project included video, radio and live events centered on telling better stories about Native American life in Oklahoma. Invisible Nations received several awards from the Associated Press and the Society of Professional Journalists.
In 2017, she and her colleague Ziva Branstetter received an Emmy Award nomination for their Reveal story “Does the Time Fit the Crime,” which centered on criminal justice in Oklahoma.
In 2019, Herrera’s story for High Country News and Center for Public Integrity titled When Disaster Strikes, Indigenous Communities Receive Unequal Disaster Aid received a Scripps Howard nomination for best environmental reporting along with the One Disaster Away series.
Herrera’s Native ties are from her Xolon Salinan tribal heritage; her family’s traditional village was in the Toro Creek area of the Central California coast.
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The Environmental Protection Agency is granting more than $8 million dollars to bolster Oklahoma tribal nations' recycling efforts. -
The new Killers of the Flower Moon movie is sparking a conversation about Oklahoma’s difficult history. But those conversations in schools are complicated by Oklahoma’s law limiting lessons that make students feel uncomfortable about their race or sex.
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The Muscogee Nation is suing the City of Tulsa, accusing the city of unlawfully prosecuting tribal citizens despite the McGirt v. Oklahoma ruling.
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A traffic ticket has sent shockwaves throughout Indian Country. Tribal citizens have routinely driven cars with their nation’s tags without penalty for years in Oklahoma. But, the Otoe-Missouria Tribe recently announced one of its citizens was given a $249 ticket for failure to pay state taxes on their motor vehicle.
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You may have been wowed by the beautiful clothing Mollie and her sisters wore during a wedding scene in Killers of the Flower Moon. There’s a story behind the tradition of these beautiful coats.
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Killers of the Flower Moon is already generating Oscar buzz. But in Oklahoma, the story behind it is deeply personal. Jim Gray, the former principal chief of the Osage Nation, and his family met with OPMX’s Anna Pope to watch the film at the Circle Cinema in Tulsa for its public debut.
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The new Martin Scorsese film Killers of the Flower Moon doesn't shy away from the harsh realities of the Osage murders it depicts. But with input from the community, it also celebrates Osage culture.
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Osage citizens in Oklahoma see the release of "Killers of the Flower Moon" as a way to embrace trauma in their past. Dozens of tribal members were murdered in the 1920s for their oil-rich land.
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The highly anticipated film adaptation of Killers of the Flower Moon comes out this week. In advance, tribal nation leaders, federal law enforcement, and the book’s author David Grann got together to discuss it at an Oklahoma Christian University panel in Edmond.
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Attorneys for the Modoc Nation say the State of Oklahoma is improperly prosecuting Indigenous people on their reservation.
